The new computer-aided tabla (an Indian percussion instrument) may not give the human gurus a run for their money, but it is linking hi-tech with performing arts. The device offers-connoisseurs a hassle-free opportunity to pick up the art
TABLA enthusiasts, desirous of learning
the art, now have a choice of guru. They
could avail of the opportunity of learning from a non-human teacher who, in
addition to having the immense
patience needed to coach any amateur
can give the student more personalised
attention and time. Called the 'tabla
blaster', this is a computer-aided tabla
that may eventually help eliminate the
tedium of teaching (Electronic Products
Finder, Vol 11, No 1).
Kiran Vyas, who has been teaching
music for several years at his institute,
Vyas Sangeet Vidyamandir in Bombay,
has come out with an editor (a usable
programme) that enables students to
learn at their own pace, all by themselves. In his endeavour, Vyas was
deeply influenced by David Courtney of
the University of Cincinnati, USA, who
has recently created digitised sounds for
drums on personal computers (PC).
The package consists of a stereophonic sound card (a 16-bit sound
blaster) installed on a 386 IBM PC which
can convert ordinary instrumental and
vocal music into digital sound. The
beats which are frequently used could be
recorded in the computer's memory.
The editor performs the function of regulating various parameters, such as tone
and tempo, thereby enacting the role of
a teacher. Various other accessories,
such as a double speed CD-Rom drive,
stereo speakers, microphones and various multimedia titles can be attached.
But the minimum system requirements, according to Vyas, are an IBM
3861486, EGA (enhanced graphics adaptor) or VGA (video graphics array), 7.5
mega bytes (MB) of hard disk space for
audio-card software, and Windows 3. 1.
The features of the tabla blaster include
digital voice playback technology which
enables the easy reproduction of real
sound samples of music, speech and
special effects for multimedia presentations, education and entertainment.
The system provides the facility for altering the frequency of sound for any
particular tala (a tala consists of several
beats and establishes the structure of the
music in a rhythmic cycle), apart from
incorporating a built-in mixer to mix
six audio sources.
Even though any solo performance
on the tabla incorporates a great
variety of beats, the 39 basic bols (symbolic words explaining the different
talas) peculiar to the Indian classical
music, have been recorded in the system
in the required permutations and combinations. Intervals between two bols we
decided and the phrases arranged in
such a manner that the required composition, characterised by a tala, is
derived.
The longest existing composition
based on this system comes in 106 computer pages. Certain alphabetical characters have been developed for the computer but the themes have to be worked
out so that each of the 39 bols can be
entered with separate keys. There are
also 12 different tones and each individual tone can be used for a particular
string or a wind instrument.
Vyas believes that with the help of
the 'tabla blaster', the student can
engage himself in long hours of riyaz
(practise). Also, the tabla blaster, in
terms of tonal quality, is much closer
to the original than the electronic
tabla, which is already available in the
market. The same editor can also
be used for other Indian percussion
instruments like mridangam and
pakhawaj.
We are a voice to you; you have been a support to us. Together we build journalism that is independent, credible and fearless. You can further help us by making a donation. This will mean a lot for our ability to bring you news, perspectives and analysis from the ground so that we can make change together.
Comments are moderated and will be published only after the site moderator’s approval. Please use a genuine email ID and provide your name. Selected comments may also be used in the ‘Letters’ section of the Down To Earth print edition.